All the Tears of Oblivion is a meditation on memory, disappearance, and the silence that remains. In this large-format piece, layers of translucent grays, fading blues, and scattered traces of gold evoke the emotional weight of forgotten moments and the vast geography of human absence. The canvas suggests a topography of emptiness—deep ridges and pale skies that mirror the inner landscape of someone who has watched childhood fade, early memories dim, and the sense of time fragment.
Visual elements dissolve into one another, mimicking the way memory shifts and vanishes in the unconscious. The interplay between light and void is deliberate: it symbolizes that liminal space where invisible tears fall, and where oblivion shelters what the heart can no longer hold.
At the edge of that void, the painting opens toward a quiet night sky—timeless, vast, and star-filled. In its silence, we glimpse the final destination of all tears: not chaos, but stillness. Not despair, but the serene gravity of forgetting. A place where death no longer wounds, but simply gathers what once ached.
In a digital world that preserves everything, All the Tears of Oblivion reminds us that perhaps only forgetting is sacred.
