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NING ZHANG

Artist

CRIS NY

ART CONCEPT

Light as a dual force: abstract yet tangible, a material essence with a spiritual core. Light transcends its role as a mere visual element, evolving into a manifestation of life itself, charged with spiritual energy. Through the skillful manipulation of light, the artist crafts a dialogue between natural and geometric forms, orchestrating a dance that connects the material to the spiritual. This interplay challenges the viewer to explore beyond conventional boundaries, where rationality and sensibility are liberated, not confined. This body of work is an exploration beyond the confines of traditional art, embodying not just the representation of ideas but the direct expression of the artist's will. It acts as a portal away from the allure of the superficial, guiding the observer towards a profound awakening. The essence of the concept suggests that transcendence and liberation from the tangible world lie within the journey of introspective reflection, encouraging a deep dive into the soul's depths.

ABOUT

As an artist, I am perpetually engaged in the quest to understand the true value of artistic creation. Each piece I create is an exploration, a step closer to unraveling the mysteries of this question. My approach prioritizes concept over form, liberating my work from the constraints of objective representation visible to the naked eye. This method allows me to delve deeper into the essence of what art truly is, how it evolves in the contemporary world, and how its significance can be redefined within the modern context. Driven by the belief that ideas fuel creativity, I align with Hayek's notion that 'Only ideas can beat ideas.' This philosophy underpins my artistic process, which is twofold: firstly, to transcend the objective imagery that meets the eye, venturing instead into the subjective realm of ideas and consciousness; and secondly, to engage in a continuous quest for transcendence through artistic thought, seeking moments of enlightenment. My work is an invitation to view art not just as a visual experience, but as a conceptual journey that challenges, redefines, and elevates the traditional understanding of painting in our time.

EXHIBITIONS

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