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MAGDALENA KLUTH

Painter

CRIS NY

ART CONCEPT

Within my abstract, textural paintings I explore the spaces that exist between perception and reality, self and other, memory and experience. I grew up in Germany with a single mother and an aunt with a mental disability who felt more like a little sister. Early on, I learned to read people, to sit inside difference, to instantely find a connection beneath whatever was unfamiliar. Years of travelling and living across cultures in Hawai‘i, Tel Aviv and Mexico City deepened that intense curiosity for people and cultures, the intense longing to create connection wihtin every encounter. All these experiences tought me: we are all one. I am you from a different perspective. You are me from a different perspective. I draw inspiration from this ongoing exploration of consciousness, interconnectedness, and spiritual teachings that consider reality as fundamentally relational rather than separate. Questions surrounding collective memory, the nature of self, and of a deeper underlying unity continue to shape both the conceptual and material foundations of the work. The paintings emerge through a process of building layers upon layers of material and color, a dialogue between intention and surrender. Working with a mixture of ancient and modern materials, marble powder, tempera, oil, pigment, silk, and copper, gives me a sense of freedom. Much like our own (idea of) identities, the paintings are shaped through accumulation: experiences, memories, belief systems, relationships, and daily thoughts.

ABOUT

Magdalena Kluth (b. 1997, Germany) is an abstract painter based in New York whose work investigates themes of interconnectedness, collective memory, belonging, and the nature of human perception. She holds a B.A. in Fashion Journalism and Communication from the AMD Academy of Fashion and Design and has exhibited internationally in solo and group exhibitions across Germany, Mexico, and the United States, including solo shows at Koik Contemporary in Mexico City and Cheznous in New York. Her work has been featured in publications including Vogue México, Excélsior, and El Economista. Her practice is rooted in a textural and tactile visual language that draws on both modern and ancient materials and techniques. Working across canvas, silk, and copper with pigments, ink, marble powder, and tempera, Kluth creates layered paintings whose luminosity shifts with the light, inviting viewers into spaces of emotional projection and reflection. Her work explores the relationship between the inner and outer worlds, an ongoing inquiry into what connects us beneath the boundaries of culture, language, belief, and identity.

SELECTED EXHIBITIONS/ PERFORMANCES/ PROJECTS

Publications: 2026 „Magdalena Kluth: creatividad como estado de alineación“ by Gabriela Gorab in El Economista 2025 „Interview: Magdalena Kluth“ by Anna Gvozdeva in Visual Art Journal 2024 „Magdalena Kluth, crea obras a partir de la grieta.“ by Virginia Bautista in EXCELSIOR 2024 „¿Qué hacer en la CDMX? [...]“ by Ramón Barreto in Vogue LATAM Exhibitions: 2026 In Between Worlds solo show at ChezNous, NYC (USA) 2025 Fractured Beauty: The Elegance of Imperfection group show at Bushwick Gallery, NYC (USA) 2025 Homecoming group show, pop up exhibition during Art Basel curated by Mario Rodriguez, Miami (USA) 2025 Fall Series group show at Call me Lola (PewPewNYC), CDMX (Mexico) 2025 Art in Conversation group show, pop up exhibition curated by Fania Celestin, Miami (USA) 2024 Mired in Bloom group show at Speedy Gallery, Los Angeles (USA) 2024 Interception – Absorption solo show at Koik Contemporary, CDMX (Mexico) - Artist Talk with Dossier Art 2024 Entre el cielo y el suelo group show at Art House MX, CDMX (Mexico) 2024 Now what? group show at Maconi, CDMX (Mexico) 2024 Pláticas Nocturnas solo show at Radio28, CDMX (Mexico) 2024 Chromatic Confluence solo show at Revuelta Gallery, CDMX (Mexico)
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